Monday, January 20, 2020

4) COMPARISON of works for stylistic differences

4) COMPARISON of works for articulating stylistic differences

Every work should be studied in its context (original physical location and
historical moment) in order to fully understand its meaning, but one way to approach the differences between artists and periods is to look at the stylistic differences between works.

COMPARISONS:

Madonnas of Giotto, Duccio with  Domenico Veneziano’s St. Lucy Altarpiece:  




Contrast way space is handled with vertical perspective and 1-point perspective. 
Giotto shows some interest in spatial depth, but Veneziano’s is more proportional with bodies in space (bodies still a bit large for 1-point perspective of architecture but more accurate than Giotto.)
Light in Duccio and Giotto is holy light rendered with gold leaf, but regular consistent light source of natural light in Veneziano.
Not much interest in accurate anatomy in Duccio and Giotto, more emphasis on emotional response of spectator. Accurate anatomy and weight under drapery in Veneziano, spectator is actually addressed by saint John in Veneziano.
No signature of artist in Duccio and Giotto, Veneziano signs his work
across the step in front.

Cantorie of Donatello and Della Robbia



Comparison of Adoration of the Magi – Gentile da Fabriano, Masaccio, Botticelli -Look at the Gothic elements in Gentile as opposed to the Renaissance elements in Masaccio.



 







Uccello and Castagno – Generals on horseback in Duomo. Look at how
Uccello and Castagno approach the problem of painting a statue of a famous general.





Comparison of Last Suppers:  Castagno, Ghirlandaio, Del Sarto
 Look at how these three artists paint the same subject. 



Comparison of Annunciations:  Fra Angelico, Donatello, Della Robbia, Botticelli.  Look at differences in sculpture and painting for same subject.





3) Most Important WORKS to examine

 3)Most important WORKS to examine:


Pre-Renaissance works:
Painting:
Giotto: Padua:                  1305 -Arena Chapel frescoes
            Florence, Uffizi:   1310 -Madonna in Maesta

            Santa Croce:         1322- 2 chapels: Life of St. Francis,
                                          Life of St. John Evangelist.
Duccio:  1309-11-Madonna in Maesta Florence, Uffizi
               Siena:  1309-11 -predella panels from another Maesta
Simone Martini- 1333 -Annunciation, Florence, Uffizi


Pisanos for sculpture

Early Renaissance Artists: 1401-1445
FLORENCE
Sculpture:     
Ghiberti and Brunelleschi –   1401 -Competition panels for Baptistery
Della Robbia and Donatello -1431 and 1433- Cantorie for Duomo


Donatello -                             1418- St. George, Orsanmichele
Ghiberti –                               1403-52 – Baptistery doors
Jacopo della Quercia -1406-08 -Ilaria del Carretto, Lucca, San Martino.


Architecture: 
Brunelleschi –1419 –      Ospedale degli Innocenti
                       1420-36 – Florentine Duomo
Alberti –         1444-        Palazzo Rucellai façade.

Painting:        
Gentile da Fabriano – 1423 – Uffizi – Adoration of the Magi
 
Masaccio – 1424-27 – Brancacci Chapel, Chiesa Del Carmine.

                   1428 –       Trinity, Santa Maria Novella
Uccello –    1436 -       John Hawkwood, Duomo.  

                       
Filippo Lippi, 1440 –  Annunciation, San Lorenzo.
Fra Angelico, 1435-45 – San Marco frescoes, Deposition, Noli me                                          Tangere.
Domenico Veneziano -  1445 -St. Lucy Altarpiece. 
Intarsia (wood inlay):    1436 - Florence Duomo Sacristy.

Middle Period Artists: 1445-1475
FLORENCE
Sculpture
Pollaiuolo –    1460 -  Hercules and Antaeus
Della Robbia- 1470-   Annunciation, Ospedale degli Innocenti


Donatello –     1463 – David (for Medici courtyard)
Antonio Rossellino –1460-66 - Chapel of Cardinal of Portugal, San Miniato

Architecture:       
Michelozzo - 1445 – Medici Palace
Alberti –       1470 – Santa Maria Novella façade.

Painting:              
Andrea del Castagno – 1456 – Niccolo da Tolentino, Duomo, Florence
Benozzo Gozzoli- 1459– Chapel of Medici Palace – Procession of Magi. 

Leonardo - 1470- Annunciation, Uffizi.

Intarsia:      1472 – Urbino, Studiolo.
Engraving: Pollaiuolo- 1478-79 – Battle of the Ten Naked Men.

MANTUA:  1465-1474, Mantegna, Camera degli Sposi, Palazzo Ducale.

SAN SEPOLCRO and URBINO:
Piero della Francesca:  1450-1466 -Cycle of the True Cross, Arezzo.
                                     1472 – Federico da Montefeltro and wife.
BOLOGNA: 1466 or after - Niccolo dell’Arca -Lamentation or Compianto, Santa Maria della Vita.  

LORETO:  1470 -Melozzo da Forli, Sacristy of San Marco, Basilica of
the Santa Casa, floating angels and prophets.
Late Period of 15th-Century Artists: 1475-1500
FLORENCE:
Sculpture -            
Verrocchio, David, 1475. Both with Leonardo’s help.
                    Doubting of Thomas, Orsanmichele 1480-82. 
early Michelangelo:  1491 -Madonna of the Stairs.
                                  1496 -Bacchus, Bargello, orig. Rome.
   1498 -Pieta for St. Peter’s, Rome.

                              

Architecture:         
Sangallo – 1486-95 -Santa Maria delle Carceri, Prato.

Painting:                
Botticelli -  1475 -Adoration of the Magi, Santa Maria Novella
                   1477 -Birth of Venus.


1477 -Primavera

               
Filippino Lippi -  1480’s -  Tobias and the Angel.
Ghirlandaio-  1483-85 – Santa Trinita, Florence, Sacchetti Chapel
                       1485-90 – Santa Maria Novella,  Tornabuoni Chapel: 
                                       Life of John the Baptist and Life of Virgin.

Leonardo - 1470- Annunciation, Uffizi, Florence.
                   1497 - Last Supper, Milano, Santa Maria delle Grazie.
VENICE: 
Painting:
Antonello da Messina- 1476 -Virgin Annunciate


Giovanni Bellini-         1496 - San Giobbe Altarpiece, Accademia.


   Early 16th-century artists: 1500-1550 –HIGH RENAISSANCE
FLORENCE and ROME:
Sculpture:      
Michelangelo – 1501-4 – David, Florence Accademia.


   1515 -     Moses for Julius II’s tomb
                      
                          1555 –    Pieta for his own tomb (Opera del Duomo).
Architecture: 
Michelangelo- 1520 –1593(after death) St. Peter’s Dome, Rome.
Bramante         1502 – Tempietto, Rome.


Painting:        
Michelangelo -1508-12 - Sistine Chapel ceiling
Raphael –        1509-11 - School of Athens.
Pontormo-       1527 -Deposition, Santa Felicita, Florence.
Leonardo -       1503- Mona Lisa.
Andrea del Sarto – 1527 -Last Supper, San Salvi, Florence.

VENICE:
Painting:       
Giovanni Bellini -1505 – San Zaccaria altarpiece, in situ.
Giorgione –          1510 – Tempest, Accademia
Titian –                 1496 – Presentation of Virgin in Temple, Accademia.
                              1559-62 – Danae, Prado.
                              Diana and Callisto, Edinburgh, SNG
                              Diana and Actaeon, Edinburgh, SNG